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The composer takes up less room and always gives your prompt the full width: the prompt sits on its own line, with the controls on a row below it. Attach and the model are on the left of that row, and where the session runs, the context meter and send are on the right. The model and This Mac lose their dropdown chevrons; click them as before to change them.

The model names its thinking level, such as Opus 5.5 · High, or Default when you haven’t chosen one. Models that take no thinking level show only their name.

Narrow panes no longer break the composer. In the side panel the placeholder and controls used to run past its edge, and in a narrow window the attach button and model picker could vanish. Now everything stays inside: the controls shrink to icons when space is short, and a long placeholder is cut short with an ellipsis.

In the app

Before: a taller composer, chevrons on the model and This Mac, and the model squeezed in beside the prompt.
Before: a taller composer, chevrons on the model and This Mac, and the model squeezed in beside the prompt.
Before, in a narrow window: the attach button and model picker have disappeared.
Before, in a narrow window: the attach button and model picker have disappeared.
Before, in the side panel: the placeholder and the controls run past the composer's edge.
Before, in the side panel: the placeholder and the controls run past the composer's edge.
The prompt has its own line, and the model with its thinking level sits next to attach on the row below.
The prompt has its own line, and the model with its thinking level sits next to attach on the row below.
In a narrow window and the side panel every control stays inside the composer, and a long placeholder ends in an ellipsis.
In a narrow window and the side panel every control stays inside the composer, and a long placeholder ends in an ellipsis.
A long prompt in the side panel wraps inside the composer.
A long prompt in the side panel wraps inside the composer.